To banish imperfection is to destroy expression, to check exertion, to paralyze vitality.Qusmo Qusmo 2012-09-18 (visit:619) - John Ruskin The Stones of Venice perfection
It is better to lose your pride with someone you love rather than to lose that someone you love with your useless pride.Qusmo Qusmo 2012-09-18 (visit:834) - John Ruskin love
All books are divisible into two classes: the books of the hours, and the books of all Time.Qusmo Qusmo 2012-09-18 (visit:701) - John Ruskin Sesame And Lilies books
A man wrapped up in himself makes a very small parcel.Qusmo Qusmo 2012-09-18 (visit:639) - John Ruskin introspection psychology
I believe that the first test of a great man is his humility. I don't mean by humility, doubt of his power. But really great men have a curious feeling that the greatness is not of them, but through them. And they see something divine in every other man and are endlessly, foolishly, incredibly merciful.Qusmo Qusmo 2012-09-18 (visit:635) - John Ruskin greatness
The highest reward for a person's toil is not what they get from it, but what they become by itQusmo Qusmo 2012-09-18 (visit:687) - John Ruskin
Nature is painting for us, day after day, pictures of infinite beauty if only we have the eyes to see them.Qusmo Qusmo 2012-09-18 (visit:689) - John Ruskin
John Ruskin (8 February 1819 – 20 January 1900) was the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects ranging from geology to architecture, myth to ornithology, literature to education, and botany to political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded by a preference for plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation.
He was hugely influential in the latter half of the 19th century up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability and craft.
Ruskin first came to widespread attention with the first volume of Modern Painters (1843), an extended essay in defence of the work of J. M. W. Turner in which he argued that the principal role of the artist is "truth to nature". From the 1850s he championed the Pre-Raphaelites who were influenced by his ideas. His work increasingly focused on social and political issues. Unto This Last (1860, 1862) marked the shift in emphasis. In 1869, Ruskin became the first Slade Professor of Fine Art at the University of Oxford, where he established the Ruskin School of Drawing. In 1871, he began his monthly "letters to the workmen and labourers of Great Britain", published under the title Fors Clavigera (1871–1884). In the course of this complex and deeply personal work, he developed the principles underlying his ideal society. As a result, he founded the Guild of St George, an organisation that endures today.